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General instructions for sight singing:​

  • Please sing with the solmization system used by your instructor (e.g., Solfège)

CHAPTER 36: Secondary dominants of ii

 
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36.1 Melody

Melodic passage in Bb major.
Ending of melodic passage from above.

36.2 Melody

Melodic passage in C major.

36.3 Melody

Melodic passage in C major.

36.4 Melody

Melodic passage in F# minor.

CHAPTER 37: Review of applied dominants

37.1 Melody

Melodic passage in D minor.
Ending of melodic passage from above.

37.2 Melody

Melodic passage in D major.
Ending of melodic passage from above.

37.3 Melody

Melodic passage in Ab major.
Ending of melodic passage from above.

37.4 Melody

Melodic passage in D major.

CHAPTER 38: Syncopation and hemiola
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38.1 Melody

Melodic passage in D major (different from above).
Ending of melodic passage from above.

38.2 Melody

Melodic passage in Bb major.
Continuation of melody from above.
Ending of melodic passage from above.

38.3 Melody

Melodic passage in G major.
Ending of melodic passage from above.

38.4 Melody

Melodic passage in C major.
Continuation of melody from above.
Ending of melodic passage from above.

CHAPTER 39: Applied dominants of vi and VI
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39.1 Melody

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Melodic passage in E minor.
Ending of melodic passage from above.

39.2 Melody

Melodic passage in A major.
Ending of melodic passage from above.

39.3 Melody

Melodic passage in Bb major.
Ending of melodic passage from above.

39.4 Melody

Melodic passage in Bb major (different from above).
Ending of melodic passage from above.

CHAPTER 40: Neapolitan
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40.1 Melody

40.1.tif
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40.2 Melody

40.2.tif

40.3 Melody

Melodic passage in D minor.
Ending of melodic passage from above.

40.4 Melody

Melodic passage in G minor.
Ending of melodic passage from above.
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